![]() (Chathusruthi Rishabam, Anthara Gandharam, Prati Madhyamam, Chathusruthi Dhaivatham, Kakali Nishatham) Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): The mnemonic phrase is sa ri gu mi pa dhi nu. It is the 5th ragam in the 11th chakra Rudra. Kalyani is a very beautiful raaga, and is prominently known among the public. Rishabham and Daivatam are also very key to this raagam and also aren't stressed very much in Sankarabharanam. Also, one must stress the characteristic madhyama very frequently or risk confusion with other raagas. One should not remain too long on panchamam (pa) or alternate between shadyam and panchamam too frequently. ![]() Kalyani is slightly difficult to elaborate on in raaga alapna due to its similarity with Sankarabharanam with the only difference of the Madyamam (Ma). The notes for Kalyani are S R 2 G 3 M 2 P D 2 N 3. It is the 65th melakarta rāga under the Katapayadi sankhya. ![]() The word kalyani means she who causes auspicious things. In South Indian weddings this is a very prominently played rāga.
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